Rachika Nayar - Heaven Come Crashing Staff Picks and minimal percussion disappears in

and minimal percussion disappears in an avalanche of sky-scraping texture

‘Resonant Field’ narrows her focus to one space in particular - the Marine A Grain Elevator at Silo City in Buffalo

The ear will catch soundscapes she recorded from her travels to respective home countries—spaces that further awakened her connection to frequencies

recalling the word painting of musical theater composers like Stephen Sondheim or luminaries of 20th-century classical art song: the chanson writers of her current home country (Gabriel Fauré

Rachika Nayar - Heaven Come Crashing Staff Picks and minimal percussion disappears inHeaven Come Crashing by Rachika NayarHeaven Come Crashing, the sophomore electronic full length from Brooklyn based composer and producer Rachika Nayar, finds the protean guitarist and producer pivoting from the ghostly netherworlds of her debut into vivid, fluorescent, cinematic maximalism. On Our Hands Against the Dusk, Nayar used her guitar as the primary source for sound design, mutating the instrument beyond recognition through layers of digital