Christopher Wool Joshua Chuang The exhibition was inspired by

The exhibition was inspired by the concept of “hauntology

riffing on seventeenth-century Dutch and nineteenth-century American still lifes as well as modernist revisitations of the genre by artists such as Henri Matisse

handmade paper yields the mottled surface evocative of a weathered sign

explanatory notes employ the artist’s own words

Christopher Wool Joshua Chuang The exhibition was inspired byThis book was published on the occasion of the exhibition Christopher Wool at Gagosian, Beverly Hills. The new works on view continue Wools exploration of painting techniques, using spray paint, silkscreen, and hand painting to create tension between painting and erasing, gesture and removal, depth and flatness. Introducing hues such as pink and brown, most of the works are single color canvases. The catalogue includes tipped in color plates of the