#1232 Susan Cantrick then covers the wood with

then covers the wood with linen glue and carefully applies the hand-cut linen in the simplest possible way

everything begins with color

and communicate a strong sense of movement and fluidity

recalling a season when with friends she would leap across a light well from a third storey window to the rooftop of the neighboring building

#1232 Susan Cantrick then covers the wood withBoecker begins each new work by penciling in his composition. But the work ultimately is about the colors and layers that will evolve on the surface over time. He builds his paint up in a slow process, adding layers of color then partially removing them, allowing the echoes of erosion to remain visible in the final work. The gradual accumulation of pigment conveys a visual sense of depth, while also communicating a bittersweet emotional feeling that